What makes war quite possibly the subject of more films than any other single topic? What makes one film staunchly anti-war and another unabashedly pro-war? Is there really any way to spin hell on earth in a positive light on the silver screen?
A friend1 of mine recently commented, “The world just looks better through a camera, crisper, better-ordered, with tidy moral delineations and people of agency and action. Film can make anything look great.”
But only at first glance, I would add.
There’s no doubt that … Read the rest